Anke Büttner, Director of the Monacensia, welcomed guests to the Hildebrandhaus and opened the evening. In her remarks, Mona Fuchs, Second Mayor of the City of Munich, also highlighted the project as an important part of the city’s cultural heritage.
In her address, Lena Altman, Co-CEO of the Alfred Landecker Foundation, described Rachel Salamander as an extraordinary “builder and creator” who had never waited for institutions to act, but instead established and made visible spaces for contemporary Jewish life in Germany herself. Salamander, she said, is an “intellectual powerhouse” who for decades has successfully managed the “balancing act between a specifically Jewish perspective and the major questions facing society as a whole.”
Altman placed particular emphasis on the so-called “Red Collection,” which she described as an “intellectual record of the present.” Through key West German and German-Jewish debates in the Federal Republic — ranging from Paulskirche Speech by Martin Walser to the occupation of the stage in Frankfurt — the collection reveals how closely literature, political conviction, and public discourse are intertwined. Rather than documenting these debates from an archival distance, the collection captures them through direct participation in the public conversation. “You can feel the excitement as you turn the pages,” Altman said.
The Alfred Landecker Foundation’s support for the project, Altman explained, is therefore intended as a “deep bow of respect to Rachel Salamander as a pioneer of Jewish culture in Germany” and as recognition of her life’s work. She also emphasized the broader social and political significance of cultural institutions such as the Monacensia. Such places, she argued, are “not a luxury” but an essential part of a society’s “democratic infrastructure” and deserve support, particularly at a time of public budget cuts.
The Archive as a Repository of Memory for Future Generations
Historian Dan Diner described the “Salamander Archive” established at the Monacensia as a permanent home for Germany’s Jewish literary and cultural memory after 1945. He characterized Rachel Salamander’s bookshop, which she ran for decades, as a “memorial and place of reflection in the form of a house made of books,” dedicated to Jewish writers who had been forced into exile or murdered.
For Diner, the bookshop became a “cultural hub” that restored the visibility of Jewish thought and Jewish voices. What mattered there, he argued, was never merely books as commodities, but the communication of ideas, debates, and conversations. “The goal was not to promote books as products, but texts. Salamander’s mission was to disseminate literature; the content was what mattered.”
For Diner, the archiving of this collection also marks the end of a particular era in the history of the Federal Republic. “Alongside the chronic crisis of a party system that provided stability for decades, flashes on the political horizon already seem to herald a looming constitutional crisis.” He described Rachel Salamander’s now publicly accessible archive as a “message in a bottle cast into unfathomable, turbulent waters,” carrying the potential for future generations to draw knowledge from it in pursuit of a better future.
The exhibition "Literature & Conviction: Rachel Salamander’s Archive" will be on display at the Monacensia in the Hildebrandhaus until March 31, 2028. You can explore the digital exhibition in the Mon Mag of the Monacensia im Hildebrandhaus here.